Bullet Journal, part of the What Remains of Me series, explores fragility and temporality through the use of tissue paper, a delicate and intimate material. This series takes various forms: a grid of small, hand-cut paper rectangles forming a calendar, and experiments in which the same paper is burned.

Each small rectangle, holding a fragment of time or memory, becomes a narrative unit where the material itself bears witness to what endures after disappearance. This approach embodies the idea that the processes of destruction and reconfiguration can serve as acts of resilience and regeneration, with the fragmented traces forming a poetic cartography of existence.